Washington Square
New York: The Heritage Press, 1971. F. As new. A perfect copy in like slip-case. Illustrated by Lawrence Beall Smith.
New York: The Heritage Press, 1971. F. As new. A perfect copy in like slip-case. Illustrated by Lawrence Beall Smith.
The Hague: Servire Press, 1934. First Limited edition. Paperback. Near Fine / fine. The original glassine is intact. The book is bright and crisp with no staining or fading. There is no browning, darkening or discoloration to the white of the covers. The original box is fragile but intact. A very fine and desirable copy. Opening letter and cover decoration.....
Norwalk, CT: The Easton Press, 1977. Hardcover. Fine. Full green leather. Gilt edges and gilt decorations. Introduction by Hugh Kenner. Duplicates the art and layout of the Limited Editions Club production.
New York: Crosby Gaige, 1928-10-20. FIRST LIMITED ED. Limited Edition Number 235 OF 850. F. AEG. Signed limited edition, 235/850. A lovely copy in all respects.
New York: B.W. Huebsch, 1918. FIRST. Hardcover. Near Fine. Original cream boards, blindstamped. Green buckram spine lettered in gilt.
New York: S. Fischer - Schocken, (1946). Hardcover. Fine / Fine. An extremely clean, bright and solid copy of this collection of Tales. A fine copy in all respects.
Franklin Center: The Franklin Library, 1977. Hardcover. Fine. Gray/blue leather lettered and decorated in gilt. a.e.g. Limited edition. Illustrated by Phero Thomas. Unopened and unread.
London: The Athlone Press, 1960. FIRST. F / F. An extremely clean, bright and pleasing copy. Piers Plowman, an edition in the form of Trinity College, Cambridge, MS R.3.14, corrected from other manuscripts, with variant readings. The nicest and cleanest copy of this volume one could hope to find.
Toronto: Groundwood Books, (2000). Hardcover. Fine / Fine. A very clean, bright, and pleasing copy. Illustrated by Laszlo Gal.
London: The Hogarth Press, 1929. First edition. Hardcover. Fine / Near Fine. A lovely copy in all respects of this academic treatise on the origins of Icelandic Literature. Published by Leonard and Virginia Woolf while living in Tavistock Square. Bound in original brown cloth, lettered in black on the spine. In a complete dust jacket with only minimal wear. Laid.....
Philadelphia: Lea and Blanchard, 1838. First edition. Hardcover. Good. Two volumes. Inscribed and signed by the author on the ffep of Vol 1. Some foxing throughout. Original paper labels on spine still present. A piece of the last page amounting to approximately 1/4 is missing, including some text. Original Blue cloth. Wright. Scarce title set in St. Mary's City, Maryland.....
New York: Random House, 1947. F. A perfect copy of the book in a very solid slipcase. Lovely full color illustrations.
New York: Barse and Hopkins, 1900. FIRST. Soft. Good. No date, circa 1900. Full brown suede lettered in gilt. t.e.g. Fragile. The book is separated from the soft suede cover but is easily restored. An extremely scarce item.
New York: Doubleday and McClure, 1899. First Edition. Hardcover. Near Fine. Original illustrated boards, front and back. 12mo. First separate edition. This title was included in a small collected edition, issued in 1898. The spine is a little dusty, else fine. No dust jacket, as issued.
London: MacMillan And Co., 1909. Second edition thus. Hardcover. Near Fine. Original red cloth, lettered and decorated in gold. Top edge gilt. This edition with the lovely illustrations of Maurice and Edward Detmold. The frontispiece protected by a tissue guard. In all there are sixteen lovely color illustrations. A clean, bright and solid copy.
Norwalk, CT: The Easton Press, 1980. Hardcover. Fine. Full green leather decorated and lettered in gilt. A.E.G. Silk endpapers. Collectors edition. Illustrated by David Gentleman.
London: The Folio Society, 1972-01-10. Hardcover. Near Fine. Previous owner's embossed stamp on title page. Else fine in box.
New York: Harrison Smith and Robert Haas, 1932. First edition. Hardcover. Near Fine / Very Good. Original canary yellow cloth on boards, lettered in black on the spine with red borders. Top edge stained red. In the complete and very nice dust jacket. There is a small hole to the jacket at the rear spine hinge and a few very.....
London: Mandrake Press, 1930. First edition. Hardcover. Near Fine / Near Fine. A near fine copy of the book. Deep blue boards lettered in dark red. The jacket is complete. There is some minor darkening and an abrasion to the jacket's spine. A clean, bright and solid copy.
New York: Modern Library, No date, circa 1960. Hardcover. Very good / Very Good. Original green cloth. The jacket is complete though does show some edge fraying. The book is solid. There is some marginal notation. The jacket is not price-clipped.
Copenhagen: J. G. Schubothes, 1837. G. Original plain blue wrappers, with front cover mostly detached. A very early, if not first, Danish Edition of this classic work. Two volumes only, the other dating at 1838. Condition is comparable.
New York: Farrar, Straus, Giroux, 1978. FIRST. F / F. The great Poet's adaptation of Aeschylus. The Oresteia contains: Agamemnon; Orestes; and The Furies.
London: Jonathan Cape, (1923). Leather Bound. Very Good. Two quarto volumes bound in full deep green with lettering and ornamentation in gilt. The spine is heavily decorated with six compartments, and title in gilt on a red background and the author and volume information in gilt on a black background. The remainder is in the same green with gilt ornaments.....
London: The Folio Society, 1982. First thus. Near Fine. Three volumes bound in blue cloth ornament and lettering in gilt. . Illustrated by Edward Bawden. Volume one signed by Bawden. In a blue illustrated slip-case. Previous owner embossed name on title page, else fine. A very crisp, bright and tight copy.
New York: Alfred A. Knopf, 1928. First American edition. Hardcover. Near Fine / Very Good. Original Publisher's black cloth, stamped and lettered in gilt to the front panel and spine. 8vo. [viii], 264, [265 -266 ads & colophon], 2 blank pp. Top edge stained dark brown. Fore-edge and bottom edge rough cut. In a complete and very attractive example of.....