Rescue
London: Victor Gollancz, 1957. FIRST. NF / NF. Price-clipped. Great dust jacket art by Mona Moore. An exceptionally clean and bright copy.
London: Victor Gollancz, 1957. FIRST. NF / NF. Price-clipped. Great dust jacket art by Mona Moore. An exceptionally clean and bright copy.
Rifton: The Plough Publishing House, 1964. First edition. Hardcover. Near Fine / Very Good. Inscribed and dated by the author on the ffep. A very nice copy. Tells of the beginning and early years of the Bruderhof Communities. They were forced out of Germany by the Gestapo in 1937. The dust jacket has some closed tears...
London: Hamish Hamilton, (1980). First edition. Hardcover. Near Fine / Fine. Original blue cloth, lettered in gilt to the spine. Previous owner book-plate and small signature, both to the front paste-down. An extremely clean, bright and solid copy.
London: Smith, Elder &Company, 1882. FIRST. NF. Original blue cloth lettered in gilt on the spine. Previous owner bookplate, else fine. A very clean and bright copy.
London: Blackie & Sons, 1937. First edition. Hardcover. Near Fine / Near Fine. A very clean, bright and attractive copy. Cover art shows a boy looking up from his position in the forest, at a low-flying plane. Black and white frontis. Some very minor edge-wear, a shallow closed tear with a little crease.
London: Cassell & Company, 1922. FIRST. NF. Original blue cloth. A very clean, bright and solid copy. No fading.
London: W. & R. Chambers, Limited, 1904. First edition. Hardcover. Very Good. Original green cloth lettered in red and decorated in red, black, and gold. Top edge gilt (not in Newbolt) and all board ends beveled. Contains five stories by Henty with Arnold, Harold Bindloss and Louis Tracy also contributing. This a very clean, bright and solid copy which does.....
New York: Dodd, Mead & Co., 1938. First edition. Hardcover. Near Fine / Very Good. A very cool dust jacket in extremely nice condition. Some minor tape repair to the inside.
New York: Dover, 1975. VG. Wrappers. "A survey of the 70's and 80's in contemporary photographs."