The Modern Drawing
New York: The Museum of Modern Art, 1983. NF. Previous owner signature on ffep. Embossed seal as well. A nice copy of the simultaneous edition in wrappers.
New York: The Museum of Modern Art, 1983. NF. Previous owner signature on ffep. Embossed seal as well. A nice copy of the simultaneous edition in wrappers.
Indianapolis: Bobbs Merrill, 1930. First edition. Hardcover. Fine / Near Fine. An extremely clean, bright and pleasing copy. Only a few minor smudge marks to the jacket. No chips or fading and it is not price-clipped. Illustrated by Graham Erskine.
Indianapolis: Bobbs-Merrill, 1926. First edition. Hardcover. Fine / Near Fine. A very clean, bright and attractive copy. One small chip, the size of a horizontal grain of rice along the bottom edge of the front panel and another similar chip at the base of the spine, else fine. Listed in Bleiler.
Indianapolis: Bobbs-Merrill, 1928. First edition. Hardcover. Fine / Fine. A brilliant clean and bright copy that's about as nice an example as one could ever hope to find. Illustrated endpapers by D. Putnam Brinley. Listed in Bleiler.
New York: Oxford University Press, 1991. Expanded Edition. Hardcover. Fine / Near Fine. A very clean, bright and solid copy. The dust jacket is price-clipped, else fine.
Oxford: Oxford University Press, 2002. First edition. Hardcover. Fine / Fine. As new. Unopened and unread. A fine copy in all respects.
New York: The Century Company, (1928). First edition. Hardcover. Very Good / Near Fine. Original green cloth, with lettering in black to the spine and two color lettered stamp to the front panel, replicating the dust jacket. The book is bright and solid. The stamp on the front panel is a bit scuffed. The wonderful complete dust jacket is very.....
London: Victor Gollancz, 1964. FIRST. NF / VG. First UK edition in remarkably clean and bright condition.
Liverpool: C. Tinling, 1962. First edition. Hardcover. Fine / Very Good. A fine copy of a scarce title. Signed and dated by the author at the front free endpaper and with a previous owner sticker affixed - that of William Cullen Bryant II, the poet's grand-son. In original glasine.
London: Chapman And Hall, 1872-1874. First Edition. Leather bound. Near Fine. Three volumes, complete, now bound in 6 volumes. 8vo. This is an Extra Illustrated First Edition. There are 196 extra illlustrations, not including those bound originally in the books. The illustrations follow the life of Dickens, showing locations he visited, the people he encountered, and even some portraits of.....
New York: The Limited Editions Club, 1954. LIMITED ED. Limited Edition Number 1191/1500. F. Large book, blue cloth back with pattern cloth boards. Illustrated by Henry C. Pitz and signed by him on the limitation page. From an edition of 1500 copies, this one being number 1161. A very impressive and lovely copy.
London: William Smith, 1844. NF. Translated from the French Editions, with variations and additions from many celebrated mss. By Thomas Johnes. Two large octavo volumes. Hammond's full crimson pebble-grain morocco. Spines with six compartments with gilt armorial motifs within gilt rules. Marbled endpapers. All edges gilt. This is a deluxe edtion, with 72 hand-colored illuminated plates. A very desirable edition.....
Camden, ME: Picton Press, (1993). First edition. Hardcover. Fine. Original green cloth lettered in gilt on the front panel and spine. As new. An excellent copy in all respects, now quite scarce. Illustrated endpapers.
New York: Gallahad Books, 1975. FIRST. F / F. As new.
London: Duckworth, 1929. FIRST. F. A very clean and solid copy.
London: T.N. Foulis, 1910. First edition thus. Hardcover. Near Fine. A very lovely copy of this first edition with the lovely and evocative illustrations, numbering 16 in all, by Henry W. Kerr. The illustrations are all tipped in and mounted on thick dark green paper. This edition has been rebound in 3/4 red morocco with an elaborate design in gilt.....
London: David Bougue, 1846. FIRST. G.
Carbondale: Southern Illinois University Press, 1974. First edition. Hardcover. Near Fine / Near Fine. A very attractive copy. Some very minor rubbing to the jacket. An early work by this prolific author and scholar.
New York: Random House, 1962. FIRST. VG. Author's first book. Faint price-sticker shadow on upper right corner of boards.
New York: Alfred A. Knopf, 1980. First edition. Hardcover. Fine / Fine. A very clean, bright and attractive copy. Wrap-around jacket art and interior illustrations by Daniel Biamonte.
New York: Basic Books, 1978. First edition. F / VG. A clean, bright and pleasing copy of this confrontational and controversial book.
New York: Basic Books, 1978. First edition. Hardcover. Fine / Fine. A great book in fine condition. It remains a delight to read and a great source for heated debate.
London: Allison & Busby, 2005. First edition. Hardcover. Fine / Fine. As new. Unopened and unread. Signed by the author on the title page. A novel of murder and intrique leading up to the Normandy Invasion on D-Day.
London: Hodder & Stoughton, (1989). First Edition. Hardcover. Near Fine / Near Fine. A James Bond thriller. A very clean, bright and solid copy. Pages remain white and supple. The dust jacket is bright and complete.
New York: Harper and Row, 1970. First edition. Hardcover. Fine / Near Fine. A small smudge mark on the rear panel is the only flaw. A very attractive copy of the author's second novel.