Under the Hilll
London: Jojn Lane, 1928. FIRST. NF / FA.
London: Jojn Lane, 1928. FIRST. NF / FA.
London: Gerald Duckworth & Co., 1950. Hardcover. Very Good. Illustrated by B.T.B. Illustrated paper on boards. Front board clean. Rear board with some foxing along the edges. A nice copy of this reprint edition.
New York: Edmond Byrne Hackett, 1922. First edition. Hardcover. Near Fine. Original blue-gray boards with paper label on front board. Signed by the author on the front free endpaper. One of 500 copies, designed by Bruce Rogers. An ex-library copy but with only a few very very subtle marks. It must have been in a rare-book room because it was.....
New York: Delacourte Press, (1978). First edition. Hardcover. Fine / Near Fine. A clean, bright and solid copy of this re-telling of the Arthurian Legend. The book is solid and the jacket bright and complete.
New York: The Heritage Press, 1967. NF. A very nice copy in a protective box. Illustrated by Michel Ciry.
London: Nonesuch, 1925. First Limited Edition. Hardcover. Limited Edition Number 375 OF 1500. Very good. Three volumes, full vellum, lettered in gilt. Moderate soiling to the vellum. From a limited edition of 1500 copies, this one being number 375.
London: The Folio Society, 1989. F. A lovely copy in a near perfect slip case. Illustrated by Paul Nash, William Orpen and others. Illustrated boards.
Norwalk: The Easton Press, 1980. Hardcover. Fine. As new. Unopened and unread. Bound in red leather and decorated and lettered in gilt. All edges gilt. Illustrated by Fritz Kredel.
New York: McGraw-Hill, 1953. NF.
London: Hodder and Stoughton, (1915) circa. Hardcover. Near Fine. Quarto volume now beautifully re-bound by Stikeman in full dark green morocco with elaborately decorated and ruled boards. Ms. Eleanor Forestcue-Brickman collected the Songs and Ballads and executed 24 beautifull full color tipped-in plates - each protected by a tissue guard. She was a highly regarded artist emphasing her interest in.....
New York: Random House, 1943. Very Good. Illustrated boards. Illustrated by Fritz Eichenberg.
Boston: J. E. Tilton and Company, 1863. G. Original green cloth, lettered and decorated in gilt. Cloth still quite bright and solid with some minor soiling. Shallow damp-stain mark alond the fore-edge with no impact on text. Spine has a slight roll. Illustrated. A well-read copy that still has many years left.
London: John C. Nimmo, 1887-1891. First Editions Thus. Hardcover. Near Fine. Six octavo volumes, now bound uniformly in full crushed burgundy calf. Two narrow gilt bands along the edges. The spines with six compartments with text and borders in gilt. All bindings have elaborate inner dentelles. Bindings signed by Stern in text and with their small binders mark. All six.....
New York: Modern Library, circa 1944-1953. Hardcover. Near Fine / Near Fine. Original blue cloth, designed and lettered in red and gold. 8vo - 823, [8 ads] pp. A clean, bright and solid copy. The jacket shows some minor wear to the head of the spine. Dates from Toledano. 334 titles listed on the verso of the jacket.
London: John Murray, 1821. First edition. Hardcover. Very Good. A very solid and pleasing copy of this collection of three tragedies by the great Romantic Poet. The half-title is present. Bound in one half leather with marbled boards inset. The book remains very tight. Some very minor scattered foxing but considerably less than typically found.
Hartford: Silas Andrus and Son, 1845. VG. A clean, bright and solid copy of this early compilation. Large 8vo. Bound in full smooth leather with black leather spine label lettered in gilt. Engraved frontis with more engravings within. A very nice volume.
London: MacMillan & Co., 1931. Leather Bound. Near Fine. In original full leather binding. 16mo. Semi flexible card stock bound in a deep navy blue grained leather with gilt emblem stamped to the front panel and lettering and decoration in gilt to the spine. Spine slightly sunned. With original slip-case with matching blue paper with the same grain pattern. On.....
New York: Random House, 1941. F.
London: Richard Field, William Jaggard and Thomas Harper for Nathaniell Butter, No date but after 1624? Hardcover. Near Fine. Folio, engraved title page, full page engraving with dedication to Henry Prince of Wales, engraved title to the Odyssey and again to the Batrachomyomachi all present in this copy including three original blanks. This copy without the portrait of Chapman and.....
London: Limited Editions Club, 1939. FIRST LIMITED ED. Limited Edition Number 484/1500. NF / NF. White buckram spine with pale green boards with Coat of Arms in black and red. One of 1500 copies. Signed by George Jones at the Colophon. A very clean and bright copy in the slip-case which shows only the slightest wear.
Norwalk, CT: The Easton Press, 1977. Hardcover. Fine. Full brown leather decorated and lettered in gilt. A.E.G. Color frontispiece. Limited Edition, stated on the title page. A perfect copy. Silk Endpapers. Illustrated by Lajos Szalay.
Vinegia: Girolamo Scotto, 1566. Second edition. Hardcover. Fine. Two volumes. 8vo. This extraordinary set contains original primary source material for Shakespeare's Othello, Measure for Measure and Cymbeline. Bound in 18th century full light brown morocco leather. 6 compartments, with gold lettering and lovely ornaments. a.e.g. Marbled endpapers. The volumes remain bright, clean and in remarkable condition. The first edition was.....
London: Faber & Faber, 1995. FIRST. F / F. As new. Unopened and unread. A personal memoir of W. H. Auden and Chester Kallman.
London: The Folio Society, 1976. NF. Illustrated by the author. Previous owner's name-embossed. Illustrated boards. A lovely volume in blue box.
New York: London House & Maxwell, 1967. First edition. Hardcover. Fine / Near Fine. A very clean, bright and pleasing copy.